At the beach, Jacqueline’s a woman of mixed Cherokee-Irish-Scottish descent exit the water, water cascading off her supple form.
She scaled her tall building in a elevator ride. At the top, in her office, she removed her swim-suit. After an hour shower, she summoned her lover from the work pool in the lower levels of the building.
In her private suite, they explored the length of their own form, their legs, and arms, and rewarded each other with kisses.
Eventually, she and Kelsi, her consumate lesbian companion hidden drove to their remote condo.
From the living room, they viewed lesbian maze games filmed every night and transmitted to their condo. What passed for sports in normal society, lesbian games passed as sport to their community. Strength matter little next to agility and agility to thought.
Kelsi studied a red lesbian through the monitor, playing her sex endearance game in one room. Through the maze, cameras throughout monitored each lesbians as they roved through rooms like slink panthers and engaged in sex like ‘gods’.
In older, more traditional days of lesbianism, lesbians fingered themselves, explored their abilities through masturbation, and for recreation, practiced their abilities on each other. Today’s lesbian filmed sports was a large jump from the webcam on Porn Hub central. And to be fair: there were some channels of lesbian sports only reserved for paying viewers.
Jacqueline was one of the first to commercialize it. Her associate, Kinky Pink, invented the sport. From a vibrator, she escalated it to a remote controlled vibrator, involving one, then two, then three lesbians. With one causing the game with two others. Eventually, it had to have rules: could the other lesbian escape? How far did the range of her remote vibrator go? Who would be ‘it’? Who would set it off?
More importantly, how would it all end?
Jacqueline was not a true lesbian. She acclimated to it over time. But she wasted no time sizing up the commercial assets of her lesbian counterparts and with a video camera filmed her partners. Some protested. Some stayed and saw their films accumulate and gather a following.
In 2019, the Sentry game was a hit among some viewers, lesbians, oddly even men. One woman stayed in her room and wore a vibrator: it was sensitive to light. She stayed in the game by searching out sockets (not the electrical kind) but custom made to fit the Sentry’s vibrator. As the game expanded, the Sentry could move at speed from room to room if only to find a unique socket to fit her vibrator (which fit the contours of her vaginal area snugly): this saved her groin from vibration and after a manner, masturbation. The sentry rarely failed: when she did, her vibrator over time made it harder for her to move and eventually to resist. As a law, whether sets in motion tends to finish: it was similar to the momentum of societal ascent. It had to happen.
Jacqueline made money. More importantly, she made sure of it: whatever was common online was free. Whatever was not: she put a price on it.
In 2020, she added a ‘Scout’ (a role play character), handpicking a young red-haired lesbian from her party. Lith and fast, the Scout went through rooms, roving for sockets (or hubs as it were) to fit her own groin guard. When it vibrated, it revealed the room behind the socket to contain someone. As a result, she could avoid her lesbian opponents and make to the end game room: where if reached, she was in the clear.
Some months later: some lesbians borrowed the idea and combined it with their game of the White Room. It was a game where lesbian had to find a room and successfully masturbate before being caught. If caught, it was game over. If successful, she finished and went home with a payday.
Jacqueline quickly took the idea as her own and put a price on it again. Porn was popular. Jacqueline was no fool. Porn wasn’t a societal ladder. But it also wasn’t without a paying audience. For which reason, she wisely decided against making any ethical judgments. As far as her money was concern, ethics was no issue: particularly with consenting adults. The money was good. She retained lovers on a longer-term basis as A) security was important, and B) the majority of breakup was the age-old hunt up the scale: to find the next better thing, the lover 2.0. Even she wasn’t immune to this: for which reason, prosperity was a basis to her unique lesbian construct. Before she ever had a lesbian lover, she hustled up change and made her security first: when that came first, her lover had no reason to doubt, in the bosom of Jacquelines’ tender breast, she was in the arms of a self-assured and self-made woman.
She was for all intents and purpose the new lesbian endgame.
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Derived from other works, including non-copyright works of Kelsi Brooks, Kelly Dunn.
Under public domain.